Lee Ufan, Stones Cushions and Light
Japanese (and European) based, Korean minimalist artist Lee Ufan talks about the Mono-ha movement of the late 60s.."We used manufactured materials, such as glass, sheet metal or electricity, combined with natural materials, such as dirt, rocks and water. I use the Japanese word chutohampa to describe it, which means unresolved, incomplete or not polished. So you’re neither here nor there; it’s the meeting of the two – oneself and one’s interaction with these materials, both industrial and natural."Relatum,1970, (pictured) combining stones, cushions and lights, installation view at the Pinar Gallery, Tokyo.
Richard Serra, One Ton Prop
In Richard Serra's "One Ton Prop" four lead plates each 250 Kilos are propping each other up. Gravity itself is the structural principle. The existence of sculpture here relies on an unstable balance, not the illusion of balance, like what you get in a composition, but actual balance. There is a coincidence between the "representing" and the "represented" element. This idea was once a quality that was natural to Architecture. Herzog and De Mouran explored this in some of their earlier work, particularly in some of their warehouses- see Ricola Warehouse in Laufan .
My partner Cate Consandine is an installation artist who has been exploring the poetics of desire, as played out between the body and the architecture of cinema. Her work employs spatial intervention, action, and the specific placement of objects to crystalise edges that connect the accoutrement of desire to felt experience.