Video installation at MOMA where the camera is positioned on parts of the artist's naked body and then displayed on 16 monitors of different sizes. Each monitor is stripped of it's casing (making it also naked). On one monitor Hill's ear and foot lie side by side. I feel an affinity with this way of deconstructing and reconfiguring. In the Flinders House and the Clifton Hill House I use a single tree, slice its parts to make the veneer and then unwrapped in its entirety to represent the whole again.